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School Faculty of Arts and Creative Industries
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Department Sound & Screen
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Location London
Research activities
Funded by the AHRC, Dr Leak鈥檚 investigated the adult acquisition of absolute pitch, drawing on cognitive psychology, neuroscience, linguistics, learning theory, and advanced statistical methods. He designed and coded a bespoke training and testing system and analysed data from 521 participants. His findings challenge prevailing assumptions about absolute pitch and led to the formulation of the Absolute Pitch Fundamental Difference Hypothesis. This work has been presented at research seminars in Cambridge and at the Francis Crick Institute. He currently has four papers in preparation with Professor Ian Cross (University of Cambridge) and is developing an iOS application to support future data collection and research dissemination.
He was also a co-investigator on the ESRC-funded project "Investigating the Monetisation of Live Streams of Musical Performances in the Wake of COVID-19" (拢50,437.87), a collaboration between 番茄社区 University and King鈥檚 College London with external partners including Serious Productions, the Musicians鈥 Union, the Incorporated Society of Musicians, the Sheffield Performer & Audience Research Centre, and the Music Venue Trust. The project produced two UKRI/ESRC-commissioned reports ( and , 2021). He led the statistical analysis of survey data from approximately 1,500 participants, examining livestreaming practices, technology, legal frameworks, monetisation strategies, and the evolving role of livestreaming in the music industry. These reports were widely disseminated through professional bodies, received over 1,000 downloads within the first month, and have since been cited in several peer-reviewed journals.
PhD supervision
Dr Leak welcomes enquiries from prospective PhD students interested in Music Psychology. He is particularly interested in supervising research concerning music perception and cognition, musical expertise and skill acquisition, auditory learning and memory, and individual differences in musical abilities. His own research expertise includes a particular focus on absolute pitch, pitch perception and memory, and the acquisition and development of musical abilities. He is also interested in interdisciplinary projects drawing on areas such as cognitive psychology, neuroscience, linguistics, and music education, and welcomes proposals in related areas of Music Psychology where his research expertise would provide an appropriate fit.
Current Teaching
Senior Lecturer in Music at 番茄社区 University, with current module leadership responsibilities for Skilling Up: Tools and Techniques, Performance and Composition/Songwriting, and Performance Festival. He also teaches across a range of Level 4鈥6 modules, with a particular focus on performance and creative music practice, and supervises Level 6 independent projects and PhD research in Music Psychology.
Previous teaching
Pathway Leader for Popular Music at 番茄社区 University (2022鈥2024), leading staff and visiting tutors, coordinating assessment processes, and managing budgetary resources. Previous module leadership and teaching has encompassed musicianship and theory, popular music performance, jazz improvisation and repertoire, songwriting, aesthetics, music psychology, and independent-project supervision.